Publications
Books | Articles | Book Chapters | Catalogue Essays | Reviews & Criticism
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Books
Johanna Gosse and Timothy Stott, eds.
Nervous Systems: Art, Systems, and Politics since the 1960s (Durham, NC: Duke University Press, 2021).
Contributors include Kris Cohen, John Tyson, Francis Halsall, Dawna Schuld, Christine Filippone, Jaimey Hamilton Faris, Brianne Cohen, Cristina Albu, Amanda Boetzkes, and Luke Skrebowski, with a foreword by Judith Rodenbeck.
Articles
“Altered States: Psychedelic Experimental Cinema as Border Crossing in Bruce Conner’s LOOKING FOR MUSHROOMS,” Journal of Cinema & Media Studies 61.5 (open-access issue, 2021-22).
“Video Installation.”
Oxford Bibliographies in Cinema and Media Studies, ed. Krin Gabbard (New York: Oxford University Press, 2020).
“Ways of Seeing After the Internet,” Millennium Film Journal 67 (April 2018), 70-83.
View the accompanying video essay produced by MFJ editors.
“Pop, Collaboration, Utopia: Bruce Conner’s BREAKAWAY in 1960s Los Angeles,” Camera Obscura 89, Vol. 30, No. 2 (September 2015), 1-27.
“Et in Arcadia Ego: Richard Torchia in Conversation with Johanna Gosse on Tacita Dean’s JG (2013) and Exhibiting Film in the Gallery,” Moving Image Review & Art Journal 3.1 (April 2014), 94-104.
“The Porous Philosophy of Ray Johnson,” and “Reading Ray: VanDerBeek Deep I,” Journal of Black Mountain College Studies, Special Issue on Ray Johnson, ed. Kate Dempsey (Spring 2012).
“Art on the Front Lines: Contemporary Art and Politics,” Radical History Review 106 (Winter 2010), 198-214.
Book Chapters
“Broken English: Allegories of Media Ruin in the Digital Age,” in Artists’ Moving Image in Britain since 1989, Erika Balsom, Lucy Reynolds, Sarah Perks, eds. (New Haven: Yale University Press, 2019), 187-205.
“Cut to Cute: Fact, Form, and Feeling in Digital Animation; Johanna Gosse in Conversation with Peggy Ahwesh,” in Experimental and Expanded Animation: New Perspectives and Practices, Nicholas Hamlyn and Vicky Smith, eds. (London: Palgrave Macmillan, 2018), 183-202.
“Delirious Architectures: On Jeremy Blake, Liquid Crystal Palace, and Digital Materialism; an Interview with Michael Connor by Johanna Gosse,” in
Abstract Video: The Moving Image in Contemporary Art, Gabrielle Jennings, ed. (Berkeley: University of California Press, 2015), 116-128.
Catalogue Essays
Essays on
“Black Mountain,”
“New York Correspondence School,” “Moticos,” & “Elvis,” in Ray Johnson c/o, Caitlin Haskell, ed. (New Haven: Yale University Press, 2021).
“Bruce Conner’s Second Coming,” in BRUCE CONNER: IT’S ALL TRUE, Rudolf Frieling and Gary Garrels, eds. (San Francisco Museum of Modern Art/Berkeley: University of California Press, 2016), 359-361.
*Winner of the 2017 Dedalus Foundation Exhibition Catalogue Award*
“Waiting to be Seen,” in James Coupe: On the Observing of the Observer of the Observers, The Phillips Museum of Art (2013), 13-19.
“Celluloid Circus: Three ‘Ruckus’ Films by Red Grooms,” in Old Masters and Modern Muses: Red Grooms’s Portraits of Artists, 1957-2009, Bryn Mawr College (2010), 28-30.
Reviews & Criticism
“Easter Morning from Home,” Millennium Film Journal 71/72
(Fall 2020), 18-19.
“Vesuvius at Home,” Vdrome
(October 2019). Access here.
“Review of Adair Rounthwaite, Asking the Audience: Participatory Art in 1980s New York,” Panorama: Journal of the Association of Historians of American Art (May 2018).
“A Machine in the Garden: Review of Gloria Sutton, The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema.” Oxford Art Journal, Volume 41, Issue 1 (Winter 2018).
“Paradise Lost: Review of ICA Boston exhibition Leap Before You Look: Black Mountain College, 1933-1957,” Journal of Art & the Public Sphere, Vol. 5, No. 2 (December 2016), 198-205.
“Subterranean Homegrown Blues: Review of Thomas Crow, The Long March of Pop: Art, Music, and Design, 1930-1995,” Art Journal, Vol. 75, No. 3 (Fall 2016), 70-73.