- On Site: Ray Johnson’s New York
- Atomic Sublime: The Experimental Films of Bruce Conner
- “Paradise Lost.” Review of Leap Before You Look: Black Mountain College, 1933-1957, Institute of Contemporary Art, Boston. Journal of Art & the Public Sphere. Forthcoming.
- “Subterranean Homegrown Blues.” Review of Thomas Crow, The Long March of Pop: Art, Music and Design, 1930-1995 (New Haven: Yale University Press, 2014).” Art Journal Vol. 75, No. 3 (Fall 2016), 70-73.
- “EASTER MORNING: Bruce Conner’s Second Coming,” in BRUCE CONNER: IT’S ALL TRUE, ed. Rudolf Frieling and Gary Garrels, San Francisco Museum of Modern Art/Museum of Modern Art (Berkeley: University of California Press, 2016), 359-361.
- “Pop, Collaboration, Utopia: Bruce Conner’s BREAKAWAY in 1960s Los Angeles,” Camera Obscura 89, Vol. 30, No. 2 (September 2015), 1-27.
- “Delirious Architectures: On Jeremy Blake, Liquid Crystal Palace, and Digital Materialism. An Interview with Michael Connor by Johanna Gosse,” in Abstract Video: The Moving Image in Contemporary Art, ed. Gabrielle Jennings (Berkeley, CA: University of California Press, 2015), 116-128.
- “Et in Arcadia Ego: Richard Torchia in Conversation with Johanna Gosse on Tacita Dean’s JG (2013) and Exhibiting Film in the Gallery,” MIRAJ: Moving Image Review & Art Journal 3.1 (April 2014), 94-104.
- “Waiting to be Seen,” in James Coupe: On the Observing of the Observer of the Observers, exhibition catalogue, The Phillips Museum of Art, Franklin & Marshall College, Lancaster, PA (2013), 13-19.
- “Art as Experience: The Porous Philosophy of Ray Johnson,” in The Journal of Black Mountain College Studies (Spring 2012). Plus, “Reading Ray: VanDerBeek Deep.”
- “Celluloid Circus: Three ‘Ruckus’ Films by Red Grooms,” in Old Masters and Modern Muses: Red Grooms’s Portraits of Artists, 1957-2009, exhibition catalogue, Bryn Mawr College (2010), 28-30.
- “Art on the Front Lines: Contemporary Artists and Politics,” Radical History Review 106 (Winter 2010), 198-214.